Embracing Imperfection: Michelangelo's Legacy Reimagined in SMK
As I approached the elegant façade of the Statens Museum for Kunst (SMK) in Copenhagen, I was greeted by the intriguing words 'Michelangelo: Imperfect.' This exhibition promises the most extensive showcase of the Renaissance master’s sculptures in 150 years. But here is a catch: each piece on display is a high-quality replica.
At first glance, one might wonder if this is false advertising. But, as I soon discovered, it’s much more than that. This exhibition invites us into a thoughtful dialogue about the very essence of art.




Exhibition details
Title: Michelangelo: Imperfect
Venue: Statens Museum for Kunst (SMK)
Address: Sølvgade 48-50, 1307 Copenhagen, Denmark
Tickets: Adult DKK 130.00
Website: https://www.smk.dk/
Michelangelo's originals are few and invaluable. Masterpieces like the David in Florence, the Sistine Chapel ceiling in the Vatican, and the Pietà are national treasures—fragile and immovable, seldom loaned out. Curator Matthias Wivel candidly admits, 'This was an impossible exhibition.'
So why stage it? It compels us to confront fundamental questions: Is an artwork's value derived solely from its original form? Can beauty, emotion, and craftsmanship resonate through a copy? Should great art be a privilege for the few, or something that can be appreciated by all?
This exhibition also challenges our modern bias against replicas. Historically, copying was an essential part of artistic training and dissemination. Yet today, replicas are often marginalised in today's art world. For those who may never have the opportunity to see the originals, these copies offer a vital and accessible introduction, nurturing a seed of appreciation that could blossom into something deeper.






On a fascinating side note, a video in the exhibition showcases modern artisans painstakingly replicating a hand from marble. Even with today’s technology, the process is incredibly slow, prompting my renewed appreciation for Michelangelo’s sheer talent.
Ultimately, this exhibition isn’t just about seeing the real thing. It’s also about delving into why we value what we value. It’s a bold, thought-provoking experience that lingers long after you leave, inviting you to rethink perfection in art and life. The collection is on view until 31 August, 2025.


The highlight of the exhibition is SMK's treasured 'Royal Cast Collection,' most of which was cast between 1895 and 1898 for the newly established museum back then. This collection encompasses some of Michelangelo's most iconic sculptures. To present a more comprehensive view of his work, SMK has also included replicas created using contemporary 3D technology by the Spanish Factum Foundation, placing them alongside traditional casts to create a dialogue that transcends time.
While replicas may not be originals, the artisans and curators have made remarkable attempts to embody Michelangelo’s artistic spirit within this 'imperfect' framework. Throughout his life, he bravely challenged the impossible, transforming discarded blocks of marble into the David, while many of his works remained 'unfinished' in pursuit of perfection, inspiring countless future artists. This exhibition is a contemporary homage to that creative spirit.




Having stood before the real David in Florence, I can attest to its awe-inspiring power. Michelangelo’s genius is undeniable. Ironically, his relentless pursuit of perfection often left many works unfinished. He frequently provided concepts for other artists to execute, resulting in various interpretations of his ideas.
The replica of David in SMK’s Sculpture Street may not hold a candle to the original, but for many, it serves as a starting point. A tangible encounter is at least far more engaging than a dull image in a textbook.



